Ciao fashion
lovers from Milan Fashion Week! (I wish)
Wanted to
talk to you all about being Patriotic for our country, as the deadline is
looming for my magazine project at uni, and our USP is that we’re quite
British-orientated. But not overly-so. We want to highlight and promote how Britain is a lot more
multi-cultural than it has been in the past, and how everyone’s ancestry and
backgrounds are different, from different cultures, religions and
nationalities. We wanted to draw from subcultures and styles from the past,
Post-War more specifically, and use that to influence our articles and photo
shoots.
Making this relevant to
Fashion Week- on the catwalks in the beautiful Milan (I was there this time
last year, I really want to go back!) I’m going to look at Moschino’s A/W
2013/14 show, which focused a lot on British Heritage, here is a quote that Vogue got from the Creative Director Rossella Jardini:
"I love
everything that is British, I have from the beginning. I always do,
anytime,"
It’s really nice to know that an Italian designer and
brand would look to Britain, and all of Britain, to influence a collection. In
the aftermath of a recession, it’s good to see that Britain still has its edge
in terms of style and culture.
The first wave of garments that came onto the catwalk was
influenced by Scottish tartan, with sharp tailored jackets and slim leg riding trousers.
Topped with oversized equestrian-style hats, big gold earrings, chain link
little red tartan handbangs and chunky, punk-esque boots.
Vogue described them as ‘Moschino show ponies’, with some
of them travelling in pairs, complete with tiny- almost night shirt like-
dresses and red and blue crest filled sashes, long black socks and baroque
inspired embellished shoe boots.
It was a nice touch to feature Asian as well as Caucasian
Models, one of my favourite ensembles worn by a Korean-looking model was
complete with a Scottish Glengarry hat,
white shirt with tartan bow tie and waist coat, the beautiful tartan suit
jacket, black kilt with the iconic ‘M’ symbol acting as a kilt pin. The outfit
is finished off with the decorative gold earrings, the red chain link bag, red
socks and the punky boots. (Quite Vivienne Westwood inspired perhaps?).
Then came the tartan dresses, one of my favourites
featured a tulip skirt, lots of layers, and a nice crest style badge sewn right
into the front, with the matching tartan bangles, black patent handled tartan
bag, black socks, and the same baroque-esque shoe boots.
It went a bit more Royal Air Force blue later on in the
show, with military double breasted jackets with yellow pockets and collars,
with black bags complete with fringing, and grey ‘school skirts’, grey matching
socks and punky boots. Followed shortly by a slightly cropped jacket that
seemed to be worn backwards, but still had the Moschino ‘M’ encrusted on the
back (or front.) That jacket was worn with the oversized riding hat, English
rose-covered leggings and a brown fringed ‘bum bag’ worn around the models
waist. The backwards jacket look carried on, with different patterns drawn on
the back (or front), roses, badges, etc. One rose jacket was teamed with slim
fitting red riding trousers, with a peplum quality piece of material added onto
the top of the trousers. With another black patent hand bag and brown punky
boots.
The gorgeous tailoring, funky patterns and accessorise,
Asian models, and pairing the models down the catwalk carries on throughout,
revealing more and more delicious surprises.
All in all, a gorgeous show, very British and iconic. A
wonderful account on what British heritage is from someone Italian.
Anyway, must dash, more soon lovelies!
Ciao!
Mica
x
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